An animated ad is a short commercial made with 2D motion graphics, characters or 3D instead of a camera crew. The best ones do one thing well: they turn a product that is hard to film, like software, finance or a service, into a story you understand in 15 to 60 seconds. Below are 22 animated ads, 9 from brands like Mailchimp, Google and Amex and 13 we made at Broadcast2World, with why each one works, what to borrow, how long your ad should be and what it costs.
An animated ad, or animated advertisement, is a short commercial, usually 15 to 60 seconds, made with 2D motion graphics, characters or 3D instead of filmed footage. Brands use animated ads to explain products that are hard to film and to build a look no competitor can copy.
Most people decide in the first three seconds whether an ad deserves their attention. Animation buys you those seconds with something live action can't easily give: a world that only exists for your brand.
Make a live-action video ad when the product is people, places or something physical you can film well. Make an animated ad when you are selling software, a service, a process or an idea, or when you need to change the ad often and run it in several markets.
| What matters | Live-action video ad | Animated ad |
|---|---|---|
| Best for | Real people, places and physical products | Software, services, processes and ideas |
| Changing it later | Reshoot or work around the footage | Edit the scene, swap text or voice |
| New markets | Recast or dub | Swap the voiceover and on-screen text |
| Shelf life | Dates quickly with fashion and tech | Stays fresh for years |
| Production | Casting, locations, shoot days | No shoot, 4 to 6 weeks in studio |
Animated ads also travel further inside your funnel. The same characters and graphics can be cut into pre-roll, social posts, sales decks and landing pages, which helps attract the right prospects early in the B2B sales pipeline and keeps the message consistent all the way to the close.
B2B buyers sit through long buying cycles and dense demos. A short animated ad gives them the one thing a deck can't: a clear picture of why your product matters, in less than a minute.
A minute of animation can show how a product works more clearly than ten slides of a sales deck.
A distinctive style gets remembered across the months a B2B buyer takes to decide.
Characters and humor add warmth while keeping the brand professional.
One animated master cuts into TV, YouTube, LinkedIn, social and sales emails.
From cartoon ads to 3D commercial animation, each style suits a different job. Startups and marketplaces, including the many platforms built on Airbnb clone scripts, tend to lead with character ads, while established tech brands lean on motion graphics and 3D.
Relatable 2D characters and a simple story. Warm, funny and memorable, like Raptor Plumbing and Zapier below.
Shapes, type and UI that move with energy, like Webflow and Amex. See motion graphics.
Line art, comic panels and layered 2.5D illustration, like Mailchimp, FlexShares and Skogul.
Numbers, charts and icons that turn one strong stat into a story. See how to make an infographic video.
A hand drawing the story line by line on a white board. See how to make a whiteboard video.
Products, machines and data in depth, sometimes blended with real footage, like Siemens and McAfee. See 3D animation.
2D animated ads are the most common choice because they are faster and more affordable to make and easy to update. 3D earns its cost when the product itself is the hero. Our guide to 2D vs 3D animation breaks down the trade-offs, and our motion graphics team can help you choose.
The first nine are brand ads made by some of the best animation studios in the world, most of them in 2D. The next thirteen are animated ads we made at Broadcast2World for brands of every size, from local plumbers to Siemens. Click any card to watch, then read why it works and what to borrow. Want more? See our list of 50 iconic commercials or these viral video marketing examples.
Mostly 2D ads for Mailchimp, Google, Amex and more, made by studios like BUCK, Fern, Coat of Arms and Oddfellows.
Twitter's launch ad for Safety Mode, a feature that temporarily blocks accounts sending harmful or abusive replies. The line is simple: get back to the conversation.
Online abuse is hard to show without making people uncomfortable. Flat characters and bold color show the problem and the relief in a way that feels safe to watch.
When your product removes a pain, spend most of the ad on the relief, not the pain.
A 60-second hand-drawn ad for Mailchimp, animated by BUCK with the agency Kin, built on the idea that big change starts small.
Loose black line drawings feel personal, like a page from a small business owner's sketchbook. The style speaks straight to the audience Mailchimp serves.
Match the drawing style to the people you sell to, not to the latest trend.
A recruitment ad for Google with a cast of characters full of personality. The same characters were reused across a series of ads for the campaign.
Illustrated characters let Google show a diverse, friendly team without a casting call, and they can be dropped into any format later.
Design characters you can reuse across a whole campaign, not just one spot.
Part of Arrow's Five Years Out campaign, a series of films exploring how technology might shape the world ahead. This one takes on aerospace and defense.
Arrow sells components, which are hard to make exciting. Animation lets it sell the future those components make possible, which no camera can film yet.
Sell the future your product enables, not the parts it is made of.
An illustrated ad for FlexShares ETFs that travels through layered landscapes, a visual metaphor for exploring new financial terrain.
Finance ads usually lean on charts. This one swaps charts for a journey, and the layered 2D depth gives a numbers brand real warmth.
Replace your charts with one visual metaphor people can feel.
A 15-second ad that turns the sectors of the S&P 500 into a landscape of tactile materials, showing how easy it is to shift weight from one sector to another.
It makes an abstract investing idea look like something you could pick up. Fifteen seconds is enough because the visual does the explaining.
If your idea is abstract, give it a shape and a texture.
Webflow's anthem for the no-code movement. Bold shapes and fast transitions sell a big idea: building for the web should not require writing code.
It sells the category before the product. For a design tool, a crisp motion graphics style is also proof that the brand knows design.
If you are leading a new category, sell the movement first and the features second.
A playful cartoon ad that sells task automation with one simple on and off idea.
A single visual gag carries the whole product. Cartoon characters can exaggerate the frustration of busywork and the relief of handing it off.
Find one visual gag that explains your product without words.
A 30-second film for the American Express Preferred Rewards Gold Card, directed by Colin Hesterly and Matthias Hoegg at Not To Scale with Ogilvy.
The ad builds on the card's own graphic style and colors, so the whole film feels like the product. Rewards are shown as simple graphic objects, not a list of perks.
Pull your animation style from your product's own design.
From local plumbers and urgent care to Siemens and McAfee, in 2D, 2.5D, 3D and mixed media.
A rhyming stone-age cartoon for a local plumber. A carefree family's fun ends in yet another plumbing disaster, so dad calls Raptor Plumbing, and the raptor arrives day or night.
The rhyme makes the ad stick, and the cavemen-and-mammoth world grows naturally out of the brand name. A plumbing ad people actually want to watch twice.
Let your brand name set the world your ad lives in.
A cartoon ad for Roaring Neurons, an energy drink fighting for attention on a crowded shelf. One gulp and the hero turns into a superhero version of himself.
Animation can show the feeling of a product, exaggerated, in a way no actor can. The energy is literally drawn on screen.
Show what your product feels like, not just what it is.
A family gets the cold shock of a shower with no hot water. Mom knows exactly who to call: Carter Plumbing, whose prince of plumbing saves the day.
It turns a service call into a fairy tale and ends on the phone number and website, so the next step is impossible to miss.
End local ads with one clear action on screen.
A Hindi-language snack ad for Crax Pots by DFM Foods, starring flavor characters like Tommy Tomato and Masala Mamu.
Turning flavors into characters gives kids something to ask for by name, and the ad works almost without dialogue.
Turn your product variants into characters people can recognize.
A short character spot built around Camila and her pets, drawn in a bright, flat 2D style with soft pastel colors.
One relatable character and her pets create instant warmth, and the pastel palette signals friendly before a word is said.
Keep it to one character, one setting and one feeling.
A rhyming ad for an urgent care center. Johnny and Brad tease the animals at the zoo and pay for it, which is where extended hours, no appointments and affordable rates come in.
Humor takes the fear out of a medical ad, and the rhyme packs four features into half a minute without feeling like a list.
Use humor to soften a stressful category.
A 17-second social spot for Kipling that invites owners to reimagine their property's potential, with flat illustrated buildings and a bold brand panel.
It has one line and one image. At 17 seconds there is no room for anything else, and it doesn't need it.
For short social cuts, pick one line and cut everything else.
A 25-second teaser in black-and-white line art with a single red accent, following a stylish traveler as she steps off a plane.
The limited palette pulls the eye straight to the red, and the teaser format builds curiosity instead of explaining everything.
Use one accent color to tell viewers where to look.
A comic-book style ad for Skogul, named after the Norse Valkyrie who chooses the worthy from the battlefield. It speaks to proven leaders whose expertise has been undervalued.
A myth everyone half-knows turns a B2B message into a battle cry, and the gritty hand-drawn panels match the tone.
Borrow a story your audience already knows and make them the hero of it.
A brand ad for Siemens about the digital twin: the tools that built the car before the car was built and optimized the factory before the foundation was poured.
The style is the message. Real footage blends with digital overlays, the same real-meets-digital idea Siemens is selling.
Let the animation style prove your point, not just decorate it.
A short 3D spot from McAfee's MVISION efficacy campaign, built in an isometric world drenched in McAfee red.
The brand is recognizable in the first frame, before any logo appears, because the whole world is built in the brand color.
Own your brand color from frame one.
A superhero parody where the Invincible Hippo Man saves the city from the evil asphalt shingle monster with a permanent metal roof that handles 150 mph winds.
Product features become superpowers, and the competitor becomes a villain people enjoy booing.
Turn the problem your product beats into a fun villain.
A 21-second road safety ad built on one hard fact: fatal crashes increase 20 times when speed exceeds 90 miles per hour.
One stat, one visual and a challenge to fact-check it. The ad is over before you can scroll past.
One number, one image, done.
Start with one message, write a script that fits the length, design a style that matches your brand, then animate, add sound and cut versions for every platform. Here's the process our studio follows on every animated commercial.
One audience, one problem, one takeaway. A 30-second ad has room for exactly one idea.
About 75 words for 30 seconds. Put the hook and the brand in the first five seconds.
Choose a style that matches your brand and the people you sell to.
Lock the shots and timing before animation starts, when changes are still cheap.
Music and sound effects carry an ad. Budget for them, not just the visuals.
Make 6, 15 and 30 second cuts in 16:9, 1:1 and 9:16 from the same master.
Most animated ads run 15 to 60 seconds. Match the length to where the ad will run, and cut shorter versions from the same animation instead of making new ones.
| Where it runs | Best length | Tip |
|---|---|---|
| TV and connected TV | 15 or 30 seconds | One idea, brand on screen early |
| YouTube pre-roll | 6, 15 or 30 seconds | Hook before the skip button at 5 seconds |
| LinkedIn feed | 15 to 30 seconds | Captions on, square or vertical |
| Instagram and TikTok | 6 to 15 seconds | Vertical, fast and loud visually |
| Website and landing pages | 30 to 90 seconds | Room to explain, end on a clear action |
At Broadcast2World, a 60-second animated ad starts at $2,400 for flat 2D and goes up with custom characters, 2.5D and 3D. Industry-wide, ads range from about $2,000 to $10,000+ per finished minute.
Shorter ads cost less, and cutting 15 and 6 second versions from a 60-second master is the cheapest way to fill every placement. See what a 30-second commercial costs, or for the full breakdown, read how much animation costs.
Run animated ads where your buyers already spend time: YouTube and connected TV for reach, LinkedIn for B2B decision makers, Instagram and TikTok for short cuts, and your own website and sales emails for conversion.
Measure more than views. Track completion rate, clicks and leads, and use social listening and monitoring tools to see how people talk about the campaign. For more on making ads that people share, read our guide to video storytelling.
The best animated ads pick one message, give it a world only animation can build and say it in under a minute. Whether you sell software, finance or a plumbing service, the style should serve the story, not the other way around. See more of our work on the Broadcast2World homepage or talk to our animated commercial team.
An animated ad is a short commercial, usually 15 to 60 seconds, made with 2D motion graphics, characters or 3D animation instead of filmed footage. It works well for products that are hard to film, like software, finance and services.
Yes, when they focus on one message. Animation helps viewers understand abstract products quickly, gives the brand a look competitors can't copy and can be cut into many versions for TV, YouTube, LinkedIn and social from one master.
A video ad usually uses filmed, live-action footage of people, places or products. An animated ad builds every frame with design and animation, which makes it easier to explain ideas, update later and localize for new markets.
2D animated ads use flat characters, illustrations and motion graphics. They are faster and more affordable to make and easy to update. 3D animated ads build objects and worlds with depth, which suits products, machines and cinematic campaigns but costs more and takes longer.
15 to 30 seconds for TV, YouTube and LinkedIn, 6 to 15 seconds for Instagram and TikTok, and 30 to 90 seconds for websites and landing pages. Cut the shorter versions from one longer master.
At Broadcast2World, a 60-second animated ad starts at $2,400 for flat 2D, $3,500 for custom 2D and 2.5D, and $5,500 for 3D and advanced work. Industry prices range from about $2,000 to $10,000+ per finished minute. See how much animation costs.
LinkedIn for reaching decision makers, YouTube and connected TV for reach, and your website and sales emails for conversion. Short animated cuts with captions perform well in feeds because they work on mute.
Most animated ads take 4 to 6 weeks from script to final delivery. Simple flat 2D spots can be faster, while 3D and cinematic work can take longer.
Anshu Hembram is a Writer at Broadcast2World, passionate about bringing ideas to life through creative storytelling in animation and film. Her love for animated cinema led her to pursue a PGD in Animation Cinema from one of India's premier film schools, Satyajit Ray Film and Television Institute, Kolkata. With foundation in Journalism and Mass Communication, Anshu has hands-on experience in video production and marketing, giving her a unique perspective on blending creativity with strategy. Driven by her love for writing, she constantly seeks fresh ideas and innovative ways to help brands tell their stories more effectively. Beyond her professional pursuits, Anshu is an avid explorer of music, books and films - always adding to her ever-growing "knowledge closet".
Reviewed by Sunny Arora, CEO & Founder, Broadcast2World, with 15+ years in animated video production.
We've made 5,000+ animated videos, including commercials for local businesses, SaaS brands and companies like Siemens and McAfee. Send us your idea and we'll show you how it could look.
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